Emerging from the heart of the bleak industrial north in 2022, and with a sound combining hardcore energy and face-melting metal riffs, Torn Between stand as a powerhouse of musical intensity. Early 2023 saw the release of two stand-alone singles: Unapproachable and Dungeon Dweller, and now it’s time for their new EP, Last Chance Saloon. Out on December 8th, 2023.
Nu-core trailblazers Break Fifty will be dropping their new EP ‘Every Scream Became A Whisper In The Dark’ on December 7th, 2023. It’s a profound and deeply personal narrative of the band’s journey through childhood trauma.
Swedish metal highflyers Orbit Culture return with a blistering new three song EP, The Forgotten, which specifically serves as a special thank you to their diehard fanbase. It will be released on December 1st, 2023, via Seek and Strike Records.
One year since the release of their debut album ‘Soma Sema’, French metallers, Stengah return with the ‘Downward Mechanic’ EP. The EP serves as an extension of ‘Soma Sema’, as the songs were written during the same sessions. It will be released via Mascot Records on December, 1st, 2023.
Welcome to the New Dark Ages, Part 1 is the first instalment of a trilogy of EPs from progressive death metal band, Beyond Grace. Due to be released on November 24th, 2023, two more parts will follow in the future, before being collated into their third album, Welcome to the New Dark Ages.
The digital death metal trio known as Shatterface will unleash their debut EP, ‘Anodize’ on November 22nd, 2023.
Australian heavy rockers, Wicked Smile will release a new four song EP titled ‘Night Time Riders’ on November 17th, 2023, which coincides with the band’s UK headline show at The Motorsport Lounge in Llandudno, Wales. This being the first date of a run of dates across the United Kingdom with festival appearances at WinterStorm and Planet Rockstock included too.
Async Await’s EP collection continues with Irretrospective: Part 2. Releasing on November 17th, 2023, via Chameleons Risen, the second part of this tripart offering sees the project’s distinctive use of electronics with fuzz and distortion develop.
