Idiotic, silly but so entertaining, Mausoleum is cheesy 80’s horror at its finest or its worst depending on your point of view. Its plot is utter nonsense but it embraces the absurd in a tale of demonic possession that is the opposite scale to likes of The Exorcist.
Dare you enter the No-End House? Margot and Jules do and what they find inside are horrors no-one could have expected. Season two of Channel Zero’s anthology series is a massive step up in almost every department. A thrilling, occasionally frightening and emotionally moving tale.
Rose and Harry are spending a weekend at a remote cabin in the hope they can rekindle their failing relationship but evil is lurking in the darkness.
In a small village in 17th century England something strange is occurring and affecting the people of the village. It all begins when Ralph uncovers an unusual looking skull with one remaining eye while ploughing a field.
An Hour to Kill is an anthology film that mixes two genres together, horror and crime. There are three stories with a wrap around that features Frankie Pozos and Aaron Guerrero as two hitmen having to kill time. An hour to be exact so to pass the time they tell each other a few stories.
Oh, so close! Sick Boy creates a level of intrigue and tension but throws it all away with a questionable final 15 minutes. You see Sick Boy is a zombie horror but you wouldn’t know it for almost all of its run-time.
Brutal Bigfoot is the first feature length film by the Searching for Bigfoot field team. Led by “The Godfather of Bigfoot” Tom Biscardi, they get more than they bargained for when investigating the disappearance of a hiker and the mutilation of a couple deep in the remote Arkansas countryside.
Unashamed in its ripping off of Jaws, Up from the Depths feels like a spoof horror but it is not. It’s just really, really bad.
