Up there as one of the most romantic modern horrors seen in some time, Heart Eyes adorably blends a romcom with traditional slasher elements. Resulting in a gimmicky, but entertaining film with widespread appeal.
I Heart Willie is a bad film. Nothing more than a below average slasher that puts a disfigured killer in a cheap Mickey Mouse mask.
Home with a View of the Monster is a cool film with some really clever ideas that, almost inevitably, gets bogged down in the detail of those ideas.
Coming from director Mark S. Allen, who wrote the story with Howard Burd, Don’t Answer is a low-budget indie flick filled with fun, violence and gore, but one with messages about institutional failures and trust.
The Carpenter’s Son is a horror film that deals with Jesus’ teenage years and Satan’s attempts to lead him into a life of sin. It sure seems like an ill-conceived idea.
Written and directed by Paul Evans Thomas, Within the Pines is all about sound. Not just what you hear, but what you don’t as well. Sometimes silence is more oppressive than anything else.
What an absolute mess Dark Tower is. A supernatural horror with very little action, horrible pacing, bad effects, iffy acting, and an ending that is eyebrow raising at best.
Directed by Nia DaCosta and written by Alex Garland, 28 Years Later: The Bone Temple continues the story set out in 28 Years Later, with focus shifting to Ralph Fiennes’ Dr. Ian Kelson and Jack O’Connell’s Sir Lord Jimmy Crystal.
